Matt and Mara review – a sharp dramedy with magnetic leads

Two college friends reunite and reconsider the trajectory of their lives in Kazik Radwanski's keenly observed relationship comedy-drama. The post Matt and Mara review – a sharp dramedy with magnetic leads appeared first on Little White Lies.

The titular couple of Kazik Radwanski’s latest realist dramedy aren’t actually a couple – but when they get mistaken for one by a photographer taking their passport photos, Mara (Deragh Campbell) plays along. She’s actually married with a young daughter, while her friend Matt (Matt Johnson) is a caddish singleton with his eye seemingly on every bright young thing in the Greater Toronto area. The two went to college together, both with aspirations of being writers, but that was years ago and their paths have diverged somewhat.

While Matt has published a successful short story collection and spent time living in New York, Mara settled down with experimental musician Samir (Mounir Al Shami) and started teaching prose and poetry at a local college. Returning to Toronto, Matt barrels into Mara’s life again, turning up at one of her classes.

Despite the disruption, the pair fall back into an easy friendship, bickering like no time has passed at all. Radwanski’s charming, well-observed dialogue reflects the experience of plenty of elder millennials, caught between the unrealistic expectations of ageing parents and the realisation that creative possibility under the constraints of capitalism is harder and harder to achieve. Matt briefly represents the possibility of another life to Mara – one where she feels more creatively compatible with her partner. But while Matt is charismatic, he’s also selfish and patronising, stuck in a state of arrested development. Perhaps it isn’t so much Matt, but what he represents, that Mara finds enticing.

Radwanski’s frequent collaborators Campbell and Johnson (who both appeared in his previous work, including How Heavy This Hammer and Anne at 13,000 Feet) have an easy chemistry together, and their predicament is likely to strike a chord with anyone who’s ever contemplated the seven-year itch. It also might seem similar to Celine Song’s fabulously successful 2023 drama Past Lives, similarly about a female writer questioning her relationship once a figure from her past reappears, but Matt and Mara is more observational and lo-fi in methodology. The naturalistic camerawork and performances ground the film in realism, creating a wry dramedy that refuses to placate us with easy answers or condescension.

Little White Lies is committed to championing great movies and the talented people who make them.

By becoming a member you can support our independent journalism and receive exclusive essays, prints, weekly film recommendations and more.






ANTICIPATION.
Kazik Radwanski is a star on the rise... 4

ENJOYMENT.
A spiky, heartfelt anti-love story. 4

IN RETROSPECT.
4




Directed by
Kazik Radwanski

Starring
Simon Reynolds, Deragh Campbell, Matt Johnson

The post Matt and Mara review – a sharp dramedy with magnetic leads appeared first on Little White Lies.

More from Movie Reviews

  • The Front Room review – a strangely scatalogical chamber piece

    Theatre legend Kathryn Hunter camps it up as a sinister old biddy terrorising her daughter-in-law Brandy Norwood in the horror debut from Max and Sam Eggers. The post The Front Room review – a strangely scatalogical chamber piece appeared first on Little White Lies.

  • Mati Diop: ‘We’re witnessing an awakening of consciousness’

    The maker of the remarkable prizewinning docu-essay hybrid, Dahomey, on the film’s urgent anti-colonial message. The post Mati Diop: ‘We’re witnessing an awakening of consciousness’ appeared first on Little White Lies.

  • Venom: The Last Dance review – air-headed escapism

    Tom Hardy seems tired and confused in this comic book sci-fi sequel that hasn’t got an original bone in its alien symbiote body. The post Venom: The Last Dance review – air-headed escapism appeared first on Little White Lies.

  • Emilia Pérez review – a musical that barely wants to be a musical

    This ghastly musical melodrama from Jacques Audiard tells of a Mexican cartel boss’ gender affirming surgery. The post Emilia Pérez review – a musical that barely wants to be a musical appeared first on Little White Lies.

  • Deciphering Don Hertzfeldt’s ME

    The latest short film from the independent animation legend is an elusive oddity even by Don Hertzfeldt's standards. The post Deciphering Don Hertzfeldt’s ME appeared first on Little White Lies.

  • The Room Next Door review – something is missing

    Pedro Almodóvar makes his English-language debut with an adaptation of Sigrid Nunez's What Are You Going Through, starring Julianne Moore and Tilda Swinton as old friends who reunite in a time of crisis. The post The Room Next Door review – something is missing appeared first on Little White Lies.

  • Dahomey review – a blueprint for anti-colonialist action

    Mati Diop offers a creative and moving guide to discussing anti-colonialist action in her very fine follow-up to 2019’s Atlantics. The post Dahomey review – a blueprint for anti-colonialist action appeared first on Little White Lies.

  • The Crime is Mine review – Huppert steals the show

    François Ozon's first foray into crime comedy boasts bags of charm and a biting feminist edge. The post The Crime is Mine review – Huppert steals the show appeared first on Little White Lies.

  • Can a 100-year-old cinema survive without a venue?

    Belfast's Strand cinema is a gorgeous relic from a bygone era – but as the picturehouse closes its doors for a much-needed renovation, the team have relocated to an old shopping centre. The post Can a 100-year-old cinema survive without a venue? appeared first on Little White Lies.